Venetian wineglass reds and baked, love letter greige appear in photographic Vermeer splendor. Within gilt framework, a British rose is lined with mink lanugo and peanut butter and jelly umbras. Clothing litters the floor.
Pillow soft suedes of buff and bisque wrap round buttery dulce de leche integument; cakey stomach grades into chiffon breasts; cream puff mammeries taper into whipped mousse nipples. Dormouse hued areolas, cut from upcycled raw silk ballet slippers, are soft to the glistening tongue; saliva saké on satin.
Amaretto almond liqueur sluices over velvet rope thighs; between the sex lines is a swollen cherry cordial; it’s suspended in cloudy honeycomb amber, wrapped within a lace g-string; a pearl of antique black truffle rests in a rustic mons clamshell of espresso semi sweet chocolate.
The aubergine tint in the coital smell of lightly mussed linens; the mauve in sensual leather and vanilla musk; the clitoral wetness in petrichor and Dolce&Gabbana light blue: these smells show tangled sounds in human paint at bed ‘n’ breakfast noon.